This Week’s Aphorism 5

July 24, 2012 § Leave a comment

 

 

Money doesn’t talk, it swears – Bob Dylan

 

 

 

This week’s aphorism 4

July 19, 2012 § Leave a comment

 

 

Everything flows and nothing stays – Heraclitus

 

 

 

Nostalgia for the Light

July 18, 2012 § Leave a comment

Having read no reviews, just aware that these were headed with four of five stars, I went to see Nostalgia for the Light with only a vague sense of the film’s subject. It was on at the Dalston Rio, more or less my local cinema, otherwise I might have missed it, since I’m not usually drawn to documentaries on the big screen. So I was unprepared for this beautiful, powerful film that explores the earth and sky of the Atacama Desert in Chile, the driest place in the world, so lacking in moisture that it’s the closest we get to the landscape of Mars.

It also has the clearest skies, which is why the Atacama Cosmology Telescope was built there, to measure the most distant galaxies and study how the universe began. Astronomers speak in the film, about what it means to search for the remote past in the heavens; archaeologists speak about what the dry, salty soil has preserved from prehistoric times, and historians narrate more recent histories. Someone observes that the closer things get to us in time the more they become like ‘state secrets’. These voices converge on a present filled with a painful urgency: the search for the remains of those secretly murdered under Pinochet’s regime, the ‘disappeared’.

This was where Pinochet had his concentration camps (using old mining buildings) and the mass graves of thousands have been found there since that regime ended. Body parts and shattered bones litter the desert and for some years now groups of women have been sifting through these for what they might find of dead brothers and husbands and lovers. An astronomer at the observatory compares their task to reaching into the furthest of the galaxies to find those exiled and lost, so vast is the desert.

The film is allusive, slow-paced, with long close-ups of faces, wide views of cracked earth and mountains like spikes or silky piled up duvets, and those endless skies, by day and by night. The pace allows gaps for thought, for connections, for entering into the spaces of the desert and its mysteries. Some of the speakers rage and weep, others weigh up their tragedies with a heartrending stoicism. A concentration camp survivor describes the astronomy lessons that were quickly forbidden by the guards for fear that the prisoners would escape and make their way to safety guided by the constellations. The film’s sorrowful poetry is counterpointed by a joy in the tenacity of the living .

I remember 11 September 1973. Pinochet’s coup and the slaughters and tortures that followed shocked my generation on the left; the trauma of it reverberated and I have always remembered the date and the moment when I heard the news. In the years that came after, all ordinary freedoms were crushed and violence ruled to ensure this. There were no international sanctions or oppositions; on the contrary, the coup against Salvador Allende’s elected socialist government was CIA-backed, and Pinochet’s Chile became a testing ground for the economic theories of Milton Friedman and the ‘Chicago Boys’, making it the first neoliberal free-market economy, the precursor to Thatcherism and Reaganism.

Latin America was full of right-wing dictatorships that thrived with US support, but Pinochet merits a place next to Hitler and Stalin (on a smaller scale, of course; in 1973 Chile’s population was around 10 million). His good friend Margaret Thatcher invited him to tea in 1998. That was when the Spanish human rights judge Baltasar Garzón issued a warrant for his arrest and extradition to stand trial in Spain. Now Garzón is being persecuted by the right in his own country and has lost his status as a judge.

The intensity of Nostalgia for the Light made it feel like watching not a documentary but a fiction film, and I was reminded of Roberto Bolaño’s wonderful novel, The Savage Detectives, a mosaic of fragments, searches and intricate, far-reaching stories. Bolaño, a Chilean, was in one of the local defence militia set up in working-class districts as everyone prepared for the coming coup. People knew it was coming, both inside and outside Chile, but the defence militia had no weapons and, despite their pleas, Allende refused to supply them. There was much bitterness about this. (Would a few rifles have saved lives? The army began with heavy artillery, obliterating buildings, shantytowns and those inside them. But it’s hard to calibrate whether low-level resistance in the face of military might is futile or worthwhile, if it hasn’t had a chance.) Many years later Bolaño talked in an interview about how angry he had been with Allende for refusing the weapons, but over time he had come to see him as a hero, a brave man who died a truly heroic death. Allende had faith in democracy, and I can recall how, before Allende’s election, Chile was regarded as Latin America’s most hopefully democratic country, and how in some respects it was seen as resembling Britain. Patricio Guzmán’s film begins with his childhood memories of a quiet country not yet rent with violence.

Last winter I saw another Chilean film, Pablo Larraín ‘s surreal dark comedy Post Mortem. It suggested that active memory of the coup and its horribly lingering aftermath has been buried for too long. Nostalgia for the Light is another sign that the memories of that trauma at last begin to breathe.

Commemorative Trees

July 11, 2012 § Leave a comment

Liberty tree, eastern France
An ash tree, planted in 1848, year of revolutions across Europe, in the village of Saales, in the Vosges


Every year, on March 8, International Women’s Day,
this tree in Stoke Newington blooms with women’s emblems.
These garlands,
mostly in Suffragette colours of purple and green,
have weathered the rain and gales of the last few months.

Even more posh boys?

July 10, 2012 § Leave a comment

‘The Reith Lectures are not supposed to be political’ observed Niall Ferguson in the fourth and last of his Reith broadcasts this week. So why did the BBC give a turn to the right-wing TV historian, his ideological agenda no secret, in alignment with a Tory party orthodoxy that complains it has to struggle to be heard, all the while enacting policy without consultation?

I missed the first three programmes (except for an exchange when a student wrongfooted Mr Ferguson, who began a long rant with the words  ‘It isn’t cool to be conservative’, only to have the response  ‘I agree with you’  followed by a pause and ‘it is uncool to be conservative’ – to much laughter from the audience). In today’s Edinburgh audience less than a handful were given time to put questions, each of which was only mildly challenging.

Politeness appeared the toughest obstacle to demolishing Ferguson’s muddled arguments. The gist was the virtues of The Big Society and the concomitant evils of dependency on the State. Leaning heavily on Alexis de Tocqueville and the American neo-liberal model, he blathered on about clubs and volunteering – he had sought help for the clearing up of litter on the beach in front of his house in Wales and the locals had rallied; he himself belongs to several clubs in Britain and the US (where he uses the sports facilities, the dining facilities and guestrooms – all stated without apparent irony). He then homed in on education and the desirability of non-state schools. His own schooling had been private and he didn’t deny the advantages it gave him. He concluded, therefore, that since private schools are superior there should be more of them and that they should offer bursaries so that more children from lower-income families could benefit. And he wanted more free schools too, state funded but with a bedrock of volunteering from the aspirational middle classes, as well as more of the Blair-inspired academies.

Only 7% of secondary school students attend private schools (which includes those misnamed as ‘public’) yet the privately educated dominate at Oxbridge and other Russell Group universities, just as they dominate in journalism, broadcasting and sundry professions. They run the country. This distortion is a very British phenomenon, unparalleled anywhere else in Europe. It makes ours probably the most class-bound society in the developed world. I find it shocking and shameful. 

How to change this? What if we follow Mr Ferguson’s line of thinking to a more logical conclusion? Private schools are superior. Yes, they are. Why is that? Because by charging fees they have more money (in the case of Eton, Harrow, Westminster and a number of others, these fees are very large indeed). With much greater resources than comprehensives they can provide more teachers, smaller classes, tuition in a greater range of subjects, better amenities of all kinds, etc etc. And they can send their students out into the world with an enormous sense of entitlement. Will a few bursaries per private school make a difference to these disparities?

Solid, generous investment in state education is what’s needed. The education of all would benefit from greater resources being put into the schools attended by the 93% of school students, and from an end to the educational apartheid that blights this country.

The money will need of course to come from higher taxation of the wealthy. It is the wealthy whose children attend the likes of Eton (fees: £10,689 a term), St Paul’s (£9,882 a term), Fettes (where Tony Blair was educated – £9,050 a term) or, lower down the scale, University College School (£5000 + a term). And the first, small but important step is clearly to abolish the charitable status of such institutions and make sure that they pay tax – something that’s long been resisted and that any future Labour government with a backbone should insist on.

This week’s aphorism 3

July 10, 2012 § 1 Comment

ART DOES NOT REPRODUCE THE VISIBLE; RATHER, IT MAKES VISIBLE.  – Paul Klee

 

 

 

This Week’s Aphorism 2

July 3, 2012 § Leave a comment

What is robbing a bank compared to founding one?Bertolt Brecht, The Threepenny Opera

 

 

 

 

 

 

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